steinberg nuendo midas remote pres control

Based on an interface card system termed MixRack, iLive is able to fit almost any application without overspending for unwanted features.

With up to 64 inputs driving an impressive 32 outputs, the iLive system can be considered a large-format design in a mid-format package. With its modular approach to digital mixing, Allen & Heath‘s entry is enjoying good success across a number of genres. Here, then, is a closer look at the latest offerings in live digital mixers. With ever more robust power supplies and improved fail-safe architecture, digital mixing consoles are a reliable, productive addition to any installation project. As the digital choices continue to expand, consultants and designers are able to specify consoles oriented toward the task at hand and rely less on general-purpose devices. However, digital shines in the interim mixing-and-storing state with its ability to save and recall complete scenes and reconfigure itself for myriad applications.

Interestingly, since all sound begins and ends in an analog form, digital will always be a temporary state requiring analog-to-digital (A/D) converters on the front end and digital-to-analog (D/A) converters on the back end. Though the demise of the analog console is still in the distant future, the trend is obvious: Live-performance environments are embracing digital at analog’s expense. The flow away from analog toward digital continues to accelerate as user interfaces improve and features rise while prices drop. Improved user interfaces combine with expanded feature sets and reduced prices.įrom mid-size churches to regional theaters, blues clubs to corporate venues, digital consoles have become the norm for new installations and retrofits.

Steinberg nuendo midas remote pres control